63. Uluslararas\u0131 Antalya Alt\u0131n Portakal Film Festivali; belgeseller, k\u0131sa filmler ve sinema okullar\u0131 \u00f6\u011frenci filmleriyle sona yakla\u015f\u0131yor. Cuma g\u00fcn\u00fc de yar\u0131\u015fma ve \u00f6zel g\u00f6sterim kategorilerinde belgesel ve k\u0131sa film t\u00fcr\u00fcnde sekiz yap\u0131m, seyirciyle bulu\u015ftu. Ayr\u0131ca bu y\u0131l \u00fc\u00e7\u00fcnc\u00fc kez ger\u00e7ekle\u015ftirilen Sinema Okullar\u0131 \u00d6\u011frenci Filmleri Yar\u0131\u015fmas\u0131\u2019n\u0131n ikinci se\u00e7kisi de salonlardayd\u0131.\u00a0<\/p>\n
Sinemay\u0131 b\u0131rakt\u0131, madenci oldu<\/p>\n
Bug\u00fcn ilk olarak Ulusal Belgesel Yar\u0131\u015fmas\u0131\u2019ndaki \u201cM\u00fckellef\u201d filminin y\u00f6netmeni Arda Sar\u0131g\u00fcn, yap\u0131mc\u0131s\u0131 Mehmet Erkmen, kat\u0131l\u0131mc\u0131lar\u0131 Can Do\u011fduaslan, Ak\u0131n Ert\u00fcrk\u00a0ve dan\u0131\u015fman\u0131 Yusuf \u015een Tatar, g\u00f6sterimin ard\u0131ndan seyircilerin sorular\u0131n\u0131 cevaplad\u0131.\u00a0<\/p>\n
Kendisinin de Zonguldakl\u0131 oldu\u011funu ve maden i\u015f\u00e7ilerinin hayatlar\u0131na vak\u0131f oldu\u011funu belirten y\u00f6netmen Arda Sar\u0131g\u00fcn, \u201c\u0130\u015f\u00e7ilerle sohbet ettik\u00e7e belgesel kendi kendini kurdu\u201d dedi. Belgeselin belki de en orijinal yan\u0131, maden i\u015f\u00e7isi olarak belgesele kat\u0131lan Ak\u0131n Ert\u00fcrk\u2019\u00fcn, eski bir sinema \u00e7al\u0131\u015fan\u0131 olmas\u0131yd\u0131:\u00a0<\/p>\n
\u201c18 ya\u015f\u0131nda Arka Sokaklar setinde kamera asistan\u0131 olarak i\u015fe ba\u015flad\u0131m. Uzun y\u0131llar sekt\u00f6rde \u00e7al\u0131\u015ft\u0131m; kamera asistan\u0131, ikinci asistan, birinci asistan, focus puller vesaire… Biliyorsunuz bizim sekt\u00f6r\u00fcn yani benim eski sekt\u00f6r\u00fcn \u00e7al\u0131\u015fma saatlerinin uzunlu\u011fu, d\u00fczensiz \u00f6denen maa\u015flar gibi sorunlar\u0131 y\u00fcz\u00fcnden yoruldum, bunald\u0131m Benim de ailem, anne taraf\u0131ndan Zonguldakl\u0131. Day\u0131m, dedem; hepsi madenci. Sezon finali vermi\u015fti o zaman \u00e7al\u0131\u015ft\u0131\u011f\u0131m i\u015fte. Zonguldak’a gittim, day\u0131m \u2018Bir gel dene. Olmazsa b\u0131rak\u0131rs\u0131n\u2019 dedi. \u015eu an sekiz senelik maden i\u015f\u00e7isiyim. Gayet de mutluyum\u201d\u00a0\u00a0<\/p>\n
Kusturica\u2019n\u0131n kameraman\u0131 \u0130znik\u2019te ya\u015f\u0131yor!\u00a0<\/p>\n
G\u00fcn\u00fcn ikinci belgesel yar\u0131\u015fma filmi \u201cKameram 45 Kilo\u201d oldu. Y\u00f6netmen Kenan \u00d6zer, sanat y\u00f6netmeni Eylem Atakav Murato\u011flu\u00a0ve kat\u0131l\u0131mc\u0131lar Colin Mouner\u00a0ile Pelin Mouner, g\u00f6sterim sonras\u0131 seyircilerin kar\u015f\u0131s\u0131ndayd\u0131.\u00a0<\/p>\n
Y\u00f6netmen Kenan \u00d6zer, g\u00f6r\u00fcnt\u00fc y\u00f6netmeni olarak Paris\u2019te ba\u015flayan sinema yolculu\u011funu T\u00fcrkiye\u2019ye ta\u015f\u0131yan Colin Mounier\u2019in hayat\u0131n\u0131 ele alan belgeselin bir tesad\u00fcfle ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 anlatt\u0131:\u00a0<\/p>\n
\u201cYakla\u015f\u0131k d\u00f6rt y\u0131l \u00f6nce \u0130znik’e ta\u015f\u0131nd\u0131k. Colin orada kom\u015fumuz oldu. \u00d6ncesinde Ceren biraz bahsetmi\u015fti; bir s\u00fcvari kaptan, Kusturica’n\u0131n kameraman\u0131 diye ama ben kafamda \u00e7ok canland\u0131ram\u0131yordum. Daha burnu havada, fularl\u0131 bir tip beklerken bir anda has\u0131r \u015fapkal\u0131, s\u00fcrekli bah\u00e7esinde bir \u015feyler yapan, s\u00fcrekli \u00fcreten, sofras\u0131ndan kalkmad\u0131\u011f\u0131m\u0131z bir insanla kar\u015f\u0131la\u015ft\u0131k. Colin’in 70’in \u00fczerinde yap\u0131m\u0131 var; o y\u00fczden onu anlatmak biraz cesaret istiyor\u201d\u00a0<\/p>\n
Colin Mounier ise duygular\u0131n\u0131, \u201c\u0130lk defa kendimi g\u00f6r\u00fcyorum; normalde kamera arkas\u0131nday\u0131m. Herhalde benim \u00f6zelli\u011fim, oyunculara destek, g\u00fcven vermek daha \u00e7ok\u201d\u00a0<\/p>\n
Kadim annelerimizden \u2018el alan\u2019 bir film<\/p>\n
\u201cAna\u2019dolu- Bac\u0131lar, Bibiler ve Ezeler\u201d ise Yar\u0131\u015fma D\u0131\u015f\u0131 \u00d6zel G\u00f6sterim\u00a0program\u0131nda yer alan bir belgeseldi. Orta Asya \u015famanl\u0131\u011f\u0131na kadar uzanan geni\u015f bir d\u00f6nem ve co\u011frafyada \u2018bac\u0131, bibi, eze\u2019 tabirlerinin de kayna\u011f\u0131 olarak anneli\u011fi, t\u00fcm rit\u00fcelleriyle ele alan belgeselin y\u00f6netmeni Ebru G\u00fczel, uzmanlar Haydar \u00c7orum, K\u0131ymet K\u0131na, akademisyen Ayten T\u00fcrker\u00a0ve \u015fehir tan\u0131t\u0131m uzman\u0131 Canan \u015eim\u015fek, g\u00f6sterim sonras\u0131 s\u00f6yle\u015fiye kat\u0131ld\u0131.\u00a0<\/p>\n
Cumhuriyetin 103\u2019\u00fcnc\u00fc y\u0131ld\u00f6n\u00fcm\u00fcnde Alt\u0131n Portakal\u2019da pr\u00f6miyer yapman\u0131n kendileri i\u00e7in \u00e7ok anlaml\u0131 oldu\u011funu s\u00f6yleyen y\u00f6netmen Ebru G\u00fczel, \u201c\u00c7\u00fcnk\u00fc bizce Cumhuriyet, bir kad\u0131n devrimidir ve bizler de ana atalar\u0131m\u0131za vefa borcumuzu \u00f6demek istiyorduk; \u00a0umar\u0131m bir nebze olsun bunu ger\u00e7ekle\u015ftirdik\u201d dedi.\u00a0<\/p>\n
Belgeselin, Anadolu\u2019daki t\u00e2birle, \u201cEl ele, el Hakka, el hakikate\u201d yoluyla hayata ge\u00e7ti\u011fini dile getiren K\u0131ymet K\u0131na ise bu ifadeleri \u015f\u00f6yle a\u00e7\u0131klad\u0131: \u201cBu film de biraz \u00f6yle oldu; farkl\u0131 kesimlerden el birli\u011fiyle. Kad\u0131n konusu asl\u0131nda sadece kad\u0131nlar\u0131n meselesi de\u011fil. Kad\u0131n konusuna ba\u015fka t\u00fcrl\u00fc bakabilirsek insan haklar\u0131 sorunlar\u0131n\u0131n nas\u0131l daha iyi \u00e7\u00f6z\u00fclebilece\u011fini, \u00e7evre sorunlar\u0131n\u0131n nas\u0131l daha iyi \u00e7\u00f6z\u00fclebilece\u011fini g\u00f6r\u00fcr\u00fcz. Dayan\u0131\u015fmay\u0131, payla\u015f\u0131m\u0131, e\u015fitli\u011fi, yan yana olmay\u0131 yeniden hat\u0131rlamam\u0131z gerekiyor\u201d<\/p>\n
Belgeseli, toplam be\u015f y\u0131lda \u00e7ektiklerini s\u00f6yleyen y\u00f6netmen, belgesele ilham veren \u2018el almak\/ el vermek\u2019 kavramlar\u0131n\u0131n \u00f6nemine \u015fu s\u00f6zlerle dikkat \u00e7ekti:\u00a0<\/p>\n
\u201cKadim \u015feyler \u00e7ok korunam\u0131yor, unutuluyor; anneden k\u0131z \u00e7ocu\u011funa \u00e7ok aktar\u0131lm\u0131yor. Babaannelerde kald\u0131; o bibiler, ezeler gitti. Antropolojide buna \u2018bilginin v\u00fccut haline gelmi\u015f, bedenle\u015fmi\u015f hali\u2019 deniyor. Kolektif haf\u0131za dedi\u011fimiz \u015fey, belleklerde kay\u0131tl\u0131. Bunu nas\u0131l kodlam\u0131\u015flar, biliyor musunuz: K\u0131yafetlerin \u00fczerindeki nak\u0131\u015flardaki semboller var ya onlara kodlam\u0131\u015flar. Mesela atlas yorganlar; atlas yorganlar \u00fczerine bir d\u00fcnyay\u0131 kodluyorsun.\u00a0G\u00f6ky\u00fcz\u00fcn\u00fc\u00a0yery\u00fcz\u00fcned\u00fc\u015f\u00fcr\u00fcyorsun; mikrokozmos, makrokozmos gibi d\u00fc\u015f\u00fcn\u00fcn\u201d<\/p>\n
G\u00fczel\u2019in s\u00f6zlerini, Canan \u015eim\u015fek, kendi giydi\u011fi k\u0131yafet \u00fczerinden a\u00e7\u0131klad\u0131:<\/p>\n
\u201cBu bir cepken; Anadolu kad\u0131n\u0131n\u0131n olmazsa olmaz\u0131, Erzurum dokumas\u0131 ehram. Y\u0131rtma\u00e7larda g\u00f6rd\u00fc\u011f\u00fcn\u00fcz para \u00e7i\u00e7e\u011fi, eskiden sikke kullan\u0131ld\u0131\u011f\u0131 i\u00e7in bereketi temsil ediyor ve hayat a\u011fac\u0131 motifi var. \u00c7\u00fcnk\u00fc Yakutiye Medresesi, \u00c7ifte Minareli Medrese’de iki tarafta da \u00e7ift, bizim i\u00e7in \u00f6nemlidir; Do\u011fu-Bat\u0131 hakimiyeti demektir. Bunu biz medresede g\u00f6r\u00fcr\u00fcz\u201d<\/p>\n
Belgesel \u00d6zel G\u00f6sterim\u00a0program\u0131ndaki di\u011fer yap\u0131m, d\u00fcnya pr\u00f6miyerini Berlinale\u2019de yapan ve Ek\u00fcmenik J\u00fcri \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan \u201cRiver Dreams\u201ddi. Y\u00f6netmen Kristina Mikhailova\u00a0ile ortak yap\u0131mc\u0131 Halil Bu\u011fday, g\u00f6sterim sonras\u0131 s\u00f6yle\u015fiye kat\u0131ld\u0131.\u00a0<\/p>\n
Kazakistanl\u0131 y\u00f6netmen Kristina Mikhailova, filmle ilgili \u015funlar\u0131 s\u00f6yledi:\u00a0<\/p>\n
\u201cFilmin i\u00e7erisinde T\u00fcrk seyircilerimiz i\u00e7in bir s\u00fcrpriz koydum ve T\u00fcrk ortak yap\u0131mc\u0131mla burada olmaktan \u00e7ok mutluyum. Yapt\u0131\u011f\u0131m\u0131z \u00e7ok basitti; nehrin kenar\u0131nda durduk ve oradaki kad\u0131nlara, kendilerini bir nehir olarak tan\u0131mlamalar\u0131n\u0131 istedi\u011fini s\u00f6yledim. \u00d6nce oyuncularla, sanat\u00e7\u0131larla, aktivistlerle yapt\u0131m ama daha fazla kad\u0131n\u0131n ne diyece\u011fini merak ettim ve geni\u015fletmeye karar verdim\u201d<\/p>\n
Kendine hayr\u0131 olmayan S\u00fcpermen<\/p>\n
Ulusal K\u0131sa Film Yar\u0131\u015fmas\u0131\u2019nda ise bug\u00fcn \u00fc\u00e7 filmin g\u00f6sterimi vard\u0131. Para kazanmak i\u00e7in Superman kost\u00fcm\u00fcyle dola\u015f\u0131rken t\u00fcrl\u00fc \u00e7aresizliklerle muhatap olan K\u00e2z\u0131m\u2019\u0131n trajikomik \u00f6yk\u00fcs\u00fcn\u00fc anlatan \u201cS\u00fcpermen Bozk\u0131ra D\u00fc\u015ft\u00fc\u201d filminin senarist- y\u00f6netmeni Serdal Altun, \u00a0g\u00f6r\u00fcnt\u00fc y\u00f6netmeni \u015eeref Ak\u00e7ay, yard\u0131mc\u0131 y\u00f6netmeni Enes Do\u011fru, sanat y\u00f6netmeni Muhammed Emin Altunkaynak, yap\u0131mc\u0131s\u0131 Turgut Kanal\u00a0ve\u00a0y\u00fcr\u00fct\u00fcc\u00fc yap\u0131mc\u0131s\u0131 Nevzat Yi\u011fit, g\u00f6sterim sonras\u0131 seyircilerin kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131.\u00a0<\/p>\n
Senarist ve y\u00f6netmen Serdal Altun, filmin hik\u00e2yesinin, ilkokuldayken T\u00fcrk\u00e7e kitab\u0131nda okudu\u011fu bir \u00f6yk\u00fcye dayand\u0131\u011f\u0131n\u0131 s\u00f6yledi:<\/p>\n
\u201c\u00dc\u00e7\u00fcnc\u00fc s\u0131n\u0131ftayd\u0131m; \u2018S\u00fcpermen \u0130stanbul’a D\u00fc\u015ft\u00fc\u2019 ad\u0131nda bir \u00f6yk\u00fc vard\u0131 ders kitab\u0131nda. O akl\u0131m\u0131n bir k\u00f6\u015fesinde kalm\u0131\u015f, sonra kendim bozk\u0131ra ta\u015f\u0131n\u0131nca b\u00f6yle bir hik\u00e2ye \u00e7\u0131kt\u0131. Beni motive eden \u015fey; b\u00fct\u00fcn d\u00fcnyada g\u00fcc\u00fc temsil eden bir kost\u00fcm\u00fcn i\u00e7erisinde bir o kadar \u00e7aresiz bir adam fig\u00fcr\u00fcyd\u00fc\u201d Altun, karakterin \u00e7aresizli\u011fini ise \u015f\u00f6yle tarif etti: \u201cBir insan, baba oldu\u011fu zaman her \u015feyi ba\u015farmas\u0131 gerekti\u011fi y\u00fck\u00fc maalesef \u00fczerine biniyor ve o \u00e7aresizlik alt\u0131nda \u00e7o\u011fu zaman ezilebiliyor. Hem Orhan Kemal’den hem Ya\u015far Kemal’den \u00e7ok\u00e7a besleniyorum\u201d<\/p>\n
Mahallesinde yava\u015f yava\u015f kendi otoritesini kuran Sultan\u2019\u0131n, bir konteyner\u2019a kar\u015f\u0131 m\u00fccadelesini anlatan \u201cKonteyner\u201d filminin g\u00f6steriminin ard\u0131ndan senarist- y\u00f6netmen G\u00fcls\u00fcn Odaba\u015f, edit\u00f6r \u00d6mer Levento\u011flu, oyuncular Semah Tu\u011fsel\u00a0ve Kadir Y\u0131ld\u0131r\u0131m, s\u00f6yle\u015fiye kat\u0131ld\u0131. \u00a0<\/p>\n
\u201cAsl\u0131nda i\u00e7imizdeki otoriteryen g\u00fc\u00e7le ilgileniyordum\u201d diyen y\u00f6netmen Odaba\u015f, s\u00f6zlerini \u015f\u00f6yle s\u00fcrd\u00fcrd\u00fc: \u201cAncak galiba sanat\u00e7\u0131lar olarak bence h\u00e2l\u00e2 \u00e7ok nahif bir \u00e7izgimiz var; biz h\u00e2l\u00e2 g\u00fcnl\u00fck hayattaki kadar sert ve u\u00e7uk olam\u0131yoruz. \u00c7\u00fcnk\u00fc sanat\u00e7\u0131 arkada\u015flar\u0131ma hik\u00e2yeyi okuttu\u011fumda hepsi o kad\u0131n\u0131n yaln\u0131zl\u0131\u011f\u0131na ilgi g\u00f6sterdi, kad\u0131nla empati kurdu! Ama ben oraya gitmek istemiyorum; ben, otoriteyi, i\u00e7imizdeki otoriter g\u00fcc\u00fcn f\u0131rsat bulunca nas\u0131l ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 anlatmak istiyorum\u201d<\/p>\n
Ba\u015froldeki Sultan\u2019\u0131 canland\u0131ran Sema Tu\u011fsel ise bu tart\u0131\u015fmaya dair yorumunu \u015fu s\u00f6zlerle payla\u015ft\u0131:\u00a0<\/p>\n
\u00c7ekimden iki sene \u00f6ncesinden haberim vard\u0131 senaryodan. Evet, bir yaln\u0131zl\u0131k hik\u00e2yesi ama i\u00e7inde; insan\u0131n \u00e7ok sinir oldu\u011fu bir \u015feye ba\u011flanmas\u0131, sinir oldu\u011fu bir \u015feysiz olamamas\u0131 ve onun \u00fcst\u00fcnden herkese otorite olmas\u0131 fikri \u00e7ok enteresan geldi ve yaln\u0131zl\u0131\u011f\u0131n \u00fcst\u00fcne basmad\u0131k. Bu kad\u0131n yaln\u0131z oldu\u011fu i\u00e7in bunlar\u0131 yapm\u0131yor. Bu kad\u0131n; kendini bir \u015fekilde o mahallede var etmek i\u00e7in, kendisi i\u00e7in yap\u0131yor bunlar\u0131 ve dolay\u0131s\u0131yla tabii ki millete bask\u0131 kuruyor. Orada herkes ya\u015f\u0131yor, tamam; \u00e7\u00f6p de k\u00f6t\u00fc bir \u015fey ama bunu bu kadar sorun etmesi, kap\u0131da n\u00f6bet tutmaya kadar gitmesi, ba\u015fka bir durum\u201d\u00a0<\/p>\n
90\u2019lar\u0131n Berlin\u2019inde ge\u00e7en ve 12 ya\u015f\u0131ndaki Kerem\u2019in ba\u015f\u0131na i\u015f a\u00e7an maceray\u0131 takip eden \u201cBir R\u00fcyan\u0131n Hayali\u201d\u00a0filminin y\u00f6netmenlerinden Alpan Esen\u00a0ve yap\u0131mc\u0131s\u0131 Dilara Tigli, g\u00f6sterim sonras\u0131 seyircilerin sorular\u0131n\u0131 cevaplad\u0131.\u00a0<\/p>\n
Erkekli\u011fe dair zaman i\u00e7inde geli\u015fen sorular \u00fczerine filmi yapt\u0131klar\u0131ndan bahseden Alpan Esen, \u00e7ekim s\u00fcrecine dair olarak\u00a0da \u015fu bilgileri verdi:\u00a0<\/p>\n
\u201cSekiz g\u00fcnde \u00e7ektik, sonras\u0131 biraz uzad\u0131 b\u00fct\u00e7eden dolay\u0131. \u00c7\u00fcnk\u00fc filmi Almanya\u2019da ve herhangi bir fondan faydalanmadan \u00e7ektik. Yine de T\u00fcrkiye\u2019dekinden daha ucuza gelece\u011fi i\u00e7in Almanya\u2019da \u00e7ekmeyi tercih ettik. Bir de Berlin’de soka\u011fa \u00e7\u0131kt\u0131\u011f\u0131n\u0131zda nereye bakarsan\u0131z 90’lar\u0131 g\u00f6rebilirsiniz; billboard yok, b\u00fcy\u00fck binalar yok, \u00e7ok bir de\u011fi\u015fim yok.\u00a0<\/p>\n
Festival kapsam\u0131nda bug\u00fcn\u00a0Sinema Okullar\u0131 \u00d6\u011frenci Filmleri Yar\u0131\u015fmas\u0131 se\u00e7kisinin ikinci b\u00f6l\u00fcm\u00fcn\u00fcn g\u00f6sterimi de vard\u0131. \u201cEZ \u00db \u015eEYTANOK\u00caN M\u0130N\u201d (Zehra Akta\u015f), \u201c\u00c7atlak\u201d (Duygu Y\u00f6r\u00fcko\u011flu), \u201cD\u00fcnya G\u00fcn\u00fc Kutlu Olsun\u201d (Selin Toprak), \u201cKim Bu cEmil\u201d (Fatma Meral \u00c7elik), \u201cLotus\u201d (Melika Habibi), \u201cMandalina\u201d (Yasin Da\u011fl\u0131) filmleri seyirci kar\u015f\u0131s\u0131na \u00e7\u0131karken gen\u00e7 y\u00f6netmenler de sorular\u0131 cevaplad\u0131.\u00a0<\/p>\n
\u00a0<\/p>\n
\u00a0<\/p>\n
Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"
63. Uluslararas\u0131 Antalya Alt\u0131n Portakal Film Festivali; belgeseller, k\u0131sa filmler ve sinema okullar\u0131 \u00f6\u011frenci filmleriyle sona yakla\u015f\u0131yor. Cuma g\u00fcn\u00fc de yar\u0131\u015fma ve \u00f6zel g\u00f6sterim kategorilerinde belgesel ve k\u0131sa film t\u00fcr\u00fcnde sekiz yap\u0131m, seyirciyle bulu\u015ftu. Ayr\u0131ca\u2026<\/p>\n","protected":false},"author":1,"featured_media":3067,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307],"tags":[],"class_list":["post-3066","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"yoast_head":"\n