63. Uluslararas\u0131 Antalya Alt\u0131n Portakal Film Festivali perdesinde per\u015fembe g\u00fcn\u00fc; k\u0131sa filmler, belgeseller ve sinema okullar\u0131 \u00f6\u011frenci filmleri yans\u0131d\u0131.\u00a0<\/p>\n
Bunlardan ilki; Ulusal Belgesel Yar\u0131\u015fmas\u0131\u2019nda yer alan, \u201cModernist: Usmanba\u015f\u201dt\u0131. G\u00f6sterimin ard\u0131ndan y\u00f6netmen Enver Serdar K\u00f6k\u00e7eo\u011flu, yap\u0131mc\u0131 Elif Dizdaro\u011flu, m\u00fczisyen Mine Pakel, kurgucu Hazal Bayar ve ses tasar\u0131mc\u0131s\u0131 Vahid Moghadasi, Atat\u00fcrk K\u00fclt\u00fcr Merkezi (AKM) Perge Salonu\u2019ndaki s\u00f6yle\u015fiye kat\u0131ld\u0131. T\u00fcrkiye’de \u00e7a\u011fda\u015f m\u00fczi\u011fin \u00f6nc\u00fcs\u00fc \u0130lhan Usmanba\u015f\u2019\u0131 anlatan belgeselin, Usmanba\u015f\u2019la yapt\u0131\u011f\u0131 r\u00f6portaja dayand\u0131\u011f\u0131n\u0131 s\u00f6yleyen Elif Dizdaro\u011flu, devam\u0131ndaki hik\u00e2yeyi \u015f\u00f6yle anlatt\u0131:\u00a0<\/p>\n
\u201c2018\u2019de y\u0131l\u0131nda Mimaro\u011flu filmi s\u0131ras\u0131nda Usmanba\u015f’la tan\u0131\u015ft\u0131m; r\u00f6portaj yapt\u0131k. 2019’da da telefonla g\u00f6r\u00fc\u015fmeye devam ettik. 2021’de 100\u2019\u00fcnc\u00fc ya\u015f\u0131 ile ilgili YouTube’da \u00f6zel bir r\u00f6portaj yapt\u0131k. Sonra asl\u0131nda birileri, belgeselini yapar diye bekledik ama kimse yapmay\u0131nca 2022’de de \u0130lhan Usmanba\u015f’\u0131 ziyaret ettik ve belgesel yapmak i\u00e7in izin ald\u0131k.\u00a0O da kabul edince \u00e7ekimlere ba\u015flad\u0131k, sponsor arad\u0131k, o ara deprem oldu. Biraz bekleyip sponsor da bulup tekrar \u00e7ekimlere ba\u015flad\u0131k. 2025’te tamamlad\u0131k ama ne yaz\u0131k ki \u0130lhan Usmanba\u015f’\u0131 da kaybettik 30 Ocak’ta\u201d\u00a0<\/p>\n
Y\u00f6netmen Enver Serdar K\u00f6k\u00e7eo\u011flu, belgeselin \u00f6nemini \u015fu s\u00f6zlerle ifade etti:\u00a0<\/p>\n
\u201c\u00c7ok uzun bir ya\u015fam, biliyorsunuz; cumhuriyetten \u00f6nce 1910’larda yani Osmanl\u0131’da do\u011fmu\u015f.\u00a0Ve neredeyse hem \u00fclkenin tarihini hem de m\u00fczi\u011fin tarihini birebir ya\u015fam\u0131\u015f biri.\u00a0Bizim de T\u00fcrk modernle\u015fmesiyle\u00a0\u00f6zellikle i\u015fitsel modernle\u015fmeye bir d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fcm\u00fcz oldu\u011fu i\u00e7in dedik ki onu, modernist inad\u0131yla anlataca\u011f\u0131z. Bu \u00fclkede \u00e7a\u011fda\u015f m\u00fczik, elektronik m\u00fczik hep 18-19. y\u00fczy\u0131l m\u00fczi\u011fi \u015feklinde dinlenmi\u015ftir. 20. y\u00fczy\u0131l m\u00fczi\u011fi hakikaten dinlenmez; zordur, karanl\u0131kt\u0131r\u2026\u201d<\/p>\n
K\u00f6k\u00e7eo\u011flu\u2019nun dile getirdi\u011fi g\u00f6rsel d\u00fcnyan\u0131n nas\u0131l olu\u015fturuldu\u011funu ise filmin kurgucusu Hazal Bayar anlatt\u0131:\u00a0<\/p>\n
\u201cValla ben \u00e7ok zorland\u0131m. Asl\u0131nda tamamen grafik olarak bakt\u0131k. \u00c7ok fazla text, kareler, kareler, bunlar\u0131n \u00f6l\u00e7\u00fcs\u00fc, simetrisi vesaire; bunlar\u0131 ayarlamak \u00e7ok zordu. Karenin i\u00e7inde bir \u015feyleri b\u00f6l\u00fcp onlar\u0131 yerle\u015ftirmek biraz zorlad\u0131 a\u00e7\u0131k\u00e7as\u0131. Bir de elimizde \u00e7ok fazla ar\u015fiv g\u00f6r\u00fcnt\u00fcs\u00fc olunca onu da kullanmak, g\u00f6stermek istedik. Ben ki\u015fisel olarak da par\u00e7al\u0131 g\u00f6r\u00fcnt\u00fc, b\u00f6l\u00fcnm\u00fc\u015f ekranlar, \u00e7oklu ekran anlat\u0131mlar\u0131n\u0131 seviyorum. Burada da o tarz\u0131 oturtabildik hem m\u00fczik hem de filmin avangart yap\u0131s\u0131ndan dolay\u0131\u201d<\/p>\n
\u201cGazze\u2019de kamera ta\u015f\u0131yan, \u015fehit olur\u201d<\/p>\n
Ulusal Belgesel Film Yar\u0131\u015fmas\u0131\u2019ndaki \u201cK\u00fcl ve Tuz\u201d\u00a0ekibi de g\u00f6sterimden sonra seyirci kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131. Y\u00f6netmen \u00c7a\u011fatay Yurt, yap\u0131mc\u0131 Tun\u00e7 Akko\u00e7, yap\u0131m yard\u0131mc\u0131s\u0131 Dr. Elif \u0130lhamo\u011flu Akko\u00e7, dramaturg Dr. Simay Y\u0131lmaz\u00a0ve y\u00fcr\u00fct\u00fcc\u00fc yap\u0131mc\u0131 Sad\u0131k Ebu Amir, sorular\u0131 cevaplad\u0131.\u00a0<\/p>\n
Gazze\u2019de bir ressam, bir itfaiyeci, bir ambulans \u00e7al\u0131\u015fan\u0131, bir f\u0131r\u0131nc\u0131, yetim kalan alt\u0131 \u00e7ocuk ve sald\u0131r\u0131larda \u00e7ocuklar\u0131n\u0131 kaybeden bir anne ile baban\u0131n hik\u00e2yeleri \u00fczerinden ilerleyen filmi, y\u00fcr\u00fct\u00fcc\u00fc yap\u0131mc\u0131s\u0131 Sad\u0131k Ebu Amir anlatt\u0131:<\/p>\n
\u201cAsl\u0131nda sava\u015f\u0131 ya da \u00f6l\u00fcmleri yans\u0131tmak istemedik. Ger\u00e7e\u011fi anlatmak ve ger\u00e7ek insanlar\u0131, ac\u0131lar\u0131 ve zor ya\u015fam \u015fartlar\u0131n\u0131 g\u00f6stermek istedik. Bu yap\u0131mda oyuncu yok; her \u015fey ger\u00e7ek. Oradaki ger\u00e7e\u011fi aktaran Mahmut bey, tek bir telefonla bu \u00e7ekimleri ger\u00e7ekle\u015ftirdi \u00e7\u00fcnk\u00fc insanlar orada kamera ta\u015f\u0131yamaz; ta\u015f\u0131d\u0131\u011f\u0131 anda vurulur ve \u015fehit olur. Mahmut bey bu zor \u015fartlara ra\u011fmen ula\u015fabildi\u011fi her yere gitti\u201d<\/p>\n
T\u00fcrkiye\u2019nin ilk video sanat\u00e7\u0131s\u0131 ve 2024 Venedik Bienali Alt\u0131n Aslan Ya\u015fam Boyu Ba\u015far\u0131 \u00d6d\u00fcl\u00fc sahibi Nil Yalter\u2019in sanat\u0131n\u0131 ele alan \u201cZor Zanaat\u201d, AKM Perge Salonu\u2019nda seyirciyle bulu\u015ftuktan sonra y\u00f6netmen Levent \u00c7etin, sorular\u0131 cevaplad\u0131.\u00a0<\/p>\n
\u00c7etin, Nil Yalter hakk\u0131nda belgesel yapma fikrinin k\u00f6klerinin asl\u0131nda 90\u2019larda \u00f6\u011frenci oldu\u011fu d\u00f6neme uzand\u0131\u011f\u0131n\u0131 s\u00f6yledi:\u00a0<\/p>\n
\u201c90’l\u0131 y\u0131llar T\u00fcrkiye’de video sanat\u0131n\u0131n bilinmeye ba\u015flad\u0131\u011f\u0131, ivme kazand\u0131\u011f\u0131 d\u00f6nemdi. O y\u0131llarda ilk kez ismini duymu\u015ftum ve Aksanat’taki sergisini g\u00f6rm\u00fc\u015ft\u00fcm. Yeni medya teknolojilerini kullanmaya ba\u015flad\u0131\u011f\u0131 d\u00f6nemdi ve T\u00fcrkiye’deki ilk interaktif sergiydi. Daha sonra \u00a0kendisiyle pandemi d\u00f6neminde konu\u015ftuk. K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131’na ba\u015fvurduk, destek alamad\u0131k. O s\u0131ra Venedik Bienali’nde \u00f6d\u00fcl ald\u0131 ve daha sonra tekrar bakanl\u0131\u011fa ba\u015fvurdu\u011fumda destek \u00e7\u0131kt\u0131\u201d<\/p>\n
Haz\u0131rl\u0131k ve \u00e7ekim s\u00fcrecinin, Yalter sayesinde kolay ge\u00e7ti\u011fini dile getiren \u00c7etin, \u201cB\u00fct\u00fcn ar\u015fivini benimle payla\u015fmas\u0131 i\u015fimi \u00e7ok kolayla\u015ft\u0131rd\u0131. \u00c7\u00fcnk\u00fc kendi ar\u015fivini yapan ve bilgisayara \u00e7ok yatk\u0131n, ar\u015fivini d\u00fczenli bir \u015fekilde kategoriye koyan bir insan oldu\u011fu i\u00e7in onunla \u00e7al\u0131\u015fmak \u00e7ok kolayd\u0131\u201d diye konu\u015ftu.\u00a0<\/p>\n
\u201cBunlar, sanat\u0131n zek\u00e2t\u0131d\u0131r\u201d<\/p>\n
Belgesel Yar\u0131\u015fma filmlerinden \u201cUzakta\u201d; 2007\u2019de \u015e\u0131rnak\u2019taki bir oyunculuk at\u00f6lyesine kat\u0131lan \u00e7ocuk ve gen\u00e7lerin izini, 2016\u2019da, \u015fehirde ya\u015fanan \u00e7at\u0131\u015fmalar ve soka\u011fa \u00e7\u0131kma yasaklar\u0131n\u0131n ard\u0131ndan takip eden bir yap\u0131m. Belgeselin y\u00f6netmeni Tayfur Ayd\u0131n, yap\u0131mc\u0131s\u0131 \u015e\u00fckr\u00fc Acar, ortak yap\u0131mc\u0131s\u0131 ve kat\u0131l\u0131mc\u0131lar\u0131ndan Murat Toprak, post prod\u00fcksiyon s\u00fcperviz\u00f6r\u00fc Afrail G\u00f6k, Almanya prod\u00fcksiyon amiri Jidar O\u011fur, dan\u0131\u015fman\u0131 Mehmet Ery\u0131lmaz\u00a0ve kurgucusu Amir \u0130tminan, g\u00f6sterim sonras\u0131 s\u00f6yle\u015fiye kat\u0131ld\u0131.\u00a0<\/p>\n
Tayfur Ayd\u0131n, hik\u00e2yeyi en ba\u015f\u0131ndan \u015f\u00f6yle anlatt\u0131:<\/p>\n
\u201c2007\u2019de Facebook’tan bir mesaj gelmi\u015fti bana: “Bu yaz tatile gitmeyip \u015e\u0131rnak’ta \u00e7ocuklara e\u011fitim vermek ister misiniz?” Ben de gittim. Y\u00fcze yak\u0131n \u00e7ocuk geldi ve o kadar enerjileri, b\u00fcy\u00fck hayalleri vard\u0131 ki\u2026\u00a0Sinemayla bir ilgim yoktu; bir kamera almay\u0131 d\u00fc\u015f\u00fcnd\u00fcm hatta kaseti nereye koyaca\u011f\u0131m\u0131 \u0130stanbul’daki bir arkada\u015f\u0131m\u0131 aray\u0131p ona sordum. Ve kameray\u0131 \u00e7ocuklara \u00e7evirip “B\u00fcy\u00fcy\u00fcnce ne olacaks\u0131n\u0131z?” dedim. Daha sonra onlarla ileti\u015fimi kesmemeye, m\u00fcmk\u00fcn oldu\u011funca onlar\u0131 takip etmeye \u00e7al\u0131\u015ft\u0131m ama hi\u00e7bir \u015fekilde onlar\u0131n kar\u015f\u0131s\u0131na \u00e7\u0131kmad\u0131m, ileti\u015fim kurmad\u0131m. Sonra \u015fehirde \u00e7ok b\u00fcy\u00fck olaylar oldu. Ve ben ilk \u00e7ekime gitti\u011fimde inan\u0131lmaz etkilendim. “Bu \u00e7ocuklar\u0131n hevesi, mutlulu\u011fu nas\u0131l ellerinden al\u0131nd\u0131?” diye hep sordum kendime\u201d<\/p>\n
Belgeselin dan\u0131\u015fmanl\u0131\u011f\u0131n\u0131 \u00fcstlenen Mehmet Ery\u0131lmaz\u2019sa T\u00fcrkiye’nin bir haf\u0131zaya ihtiyac\u0131 oldu\u011funa dikkat \u00e7ekti:\u00a0<\/p>\n
\u201cKarl Jaspers’in \u2018Unutmak ihanettir\u2019 s\u00f6z\u00fc \u00e7ok \u00f6nemli. T\u00fcrkiye kendisiyle y\u00fczle\u015fmi\u015f bir \u00fclke de\u011fil. Ben de o d\u00f6nemlerde, 12 Eyl\u00fcl\u2019de, M\u0130T, Emniyet ve Mamak tezgah\u0131ndan ge\u00e7mi\u015f biri s\u00f6yl\u00fcyorum; bu \u00fclkenin sosyolojisine, tarihine borcumuz var. Sanat\u00e7\u0131lar\u0131n bu yapt\u0131klar\u0131 asl\u0131nda kendi sanatsal u\u011fra\u015flar\u0131n\u0131n zek\u00e2tlar\u0131d\u0131r\u201d\u00a0<\/p>\n
Kurgucu Amir \u0130tminan da Ery\u0131lmaz\u2019\u0131, \u201cEn b\u00fcy\u00fck g\u00fcnah nedir? Umutsuzluk, Tanr\u0131’dan umudun kesilmesi en b\u00fcy\u00fck g\u00fcnaht\u0131r. Zinadan, h\u0131rs\u0131zl\u0131ktan daha b\u00fcy\u00fck g\u00fcnaht\u0131r. Ve bence en k\u00f6t\u00fc g\u00fcnah, insanlar\u0131n umutlar\u0131n\u0131 ellerinden almak\u201d s\u00f6zleriyle destekledi.<\/p>\n
Antarktika\u2019ya tek ba\u015f\u0131na!<\/p>\n
Belgesel Yar\u0131\u015fma b\u00f6l\u00fcm\u00fcn\u00fcn bug\u00fcnk\u00fc son konu\u011fu, \u201cBeyaz K\u0131taya Yolculuk\u201d ekibiydi. Antarktika\u2019y\u0131 tek ba\u015f\u0131na ge\u00e7erek G\u00fcney Kutbu\u2019na ula\u015fma amac\u0131ya yola \u00e7\u0131kan, 51 ya\u015f\u0131ndaki eski olimpik k\u00fcrek\u00e7i Ali R\u0131za Bilal\u2019i takip eden filmin y\u00f6netmeni Tayfun Belet, kat\u0131l\u0131mc\u0131lar Ali R\u0131za Bilal, G\u00f6ksu Tugay Bilali kameraman Yusuf Kala\u00a0ile m\u00fczisyenler \u00d6mer Oral\u00a0ve Ferhat \u00c7\u0131nar, g\u00f6sterimin ard\u0131ndan seyircilerin kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131.\u00a0<\/p>\n
\u0130nsan\u0131n yaln\u0131zl\u0131\u011f\u0131 \u00fczerine d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc d\u00f6nemde Ali R\u0131za Bilal\u2019le tan\u0131\u015ft\u0131\u011f\u0131n\u0131 dile getiren y\u00f6netmen Tayfun Belet, \u201cBurada tek ba\u015f\u0131na, haftalar s\u00fcren bir yolculu\u011fa \u00e7\u0131kan biri ve 360 derecelik bir kamerayla 51 g\u00fcn s\u00fcren sonsuz bir \u00e7ekim var. Bu bir motivasyon filmi olmamal\u0131, dedim. Bu, ger\u00e7ekten kendimizle ba\u015f ba\u015fa kald\u0131\u011f\u0131m\u0131zda bizi nas\u0131l bir \u015fey bizi bekliyor; onu g\u00f6stermeli\u201d diye konu\u015ftu.<\/p>\n
Bu zorlu yolculukta \u00fcstesinden gelmek zorunda kald\u0131\u011f\u0131 aksakl\u0131klar olup olmad\u0131\u011f\u0131 sorulan Ali R\u0131za Bilal, \u015funlar\u0131 anlatt\u0131:<\/p>\n
\u201c\u00c7ok aksakl\u0131k oldu. \u00a0Oras\u0131 ortalama eksi k\u0131rk derecede ve kameralar\u0131, pilleri her zaman s\u0131cak tutman\u0131z laz\u0131m. Onlar\u0131 s\u00fcrekli koltuk alt\u0131nda ta\u015f\u0131mak zorundayd\u0131m, v\u00fccut \u0131s\u0131s\u0131yla \u015farjlar\u0131 dolu tutmak i\u00e7in. Ama bir yandan da her \u00e2n\u0131 \u00e7ekmek istiyor insan; \u00e7\u00fcnk\u00fc oraya bir defa gidebilirsin! Bazen burnumdan s\u00fcm\u00fckler akarken, bazen \u00e7\u0131plakken \u00e7ekmek zorunda kald\u0131m. Kayak ba\u011flamas\u0131 k\u0131r\u0131ld\u0131, solar panel bozuldu, \u00e7elik termoslardan biri k\u0131r\u0131ld\u0131, iki oca\u011f\u0131n biri gitti, d\u00f6rt benzin pompas\u0131n\u0131n ikisi bozuldu!\u201d\u00a0<\/p>\n
Yolculuk sonras\u0131 fiziksel ve ruhsal olarak bir kontrol s\u00fcrecinden ge\u00e7ip ge\u00e7medi\u011fi y\u00f6n\u00fcndeki soruya ise Bilal, \u015f\u00f6yle cevap verdi:\u00a0<\/p>\n
\u201cBir tedaviye girdim; birka\u00e7 tahtam\u0131n eksik oldu\u011funda hemfikirdirler zaten! Ayaklar\u0131m \u00e7ok k\u00f6t\u00fcyd\u00fc; hem ayak parmaklar\u0131m\u0131n hem de ellerimin son \u00fc\u00e7 parmaklar\u0131n\u0131n hissiyat\u0131 d\u00f6rt ay sonra filan geldi. Psikolojik olarak iyi haz\u0131rland\u0131\u011f\u0131m\u0131 d\u00fc\u015f\u00fcn\u00fcyordum. Bu ekspedisyonu iki ki\u015fi yapmakla tek ki\u015fi yapmak aras\u0131nda da\u011flar kadar fark var. Ben k\u00fcrek\u00e7iyim, tek \u00e7ifteciyim yani tek ba\u015f\u0131ma k\u00fcrek \u00e7ektim neredeyse 18 y\u0131l; o y\u00fczden biraz b\u00fcy\u00fck konu\u015ftum ama ama kaz\u0131n aya\u011f\u0131 \u00f6yle de\u011filmi\u015f! Fiziksel olarak \u00e7ok zor ama psikolojik olarak 100 bin milyon kat\u0131 daha zor tek ba\u015f\u0131n\u0131za yapt\u0131\u011f\u0131n\u0131zda\u201d<\/p>\n
Muhtarlar\u0131n sava\u015f\u0131, k\u0131sa film oldu<\/p>\n
Yar\u0131\u015fma d\u0131\u015f\u0131nda \u00f6zel g\u00f6sterim kapsam\u0131nda seyirciyle bulu\u015fan belgesellerden de \u00a0\u201cY\u0131k\u0131lmak\u201d\u00a0filminin y\u00f6netmeni Mehmet Ali Sevimli, g\u00f6r\u00fcnt\u00fc y\u00f6netmeni Hakan Akg\u00fcn\u00a0ve kameraman Ender Ye\u011fin de s\u00f6yle\u015fiye kat\u0131ld\u0131.\u00a0<\/p>\n
Babas\u0131n\u0131n k\u00f6y\u00fc olan Pirsultanl\u0131\u2019daki muhtarl\u0131k se\u00e7imlerinin gerilimli atmosferini perdeye aktaran y\u00f6netmen, \u201cHaberlerde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz muhtarl\u0131k se\u00e7imlerinin i\u00e7 dinamiklerini anlatmak istedik. Babam\u0131n k\u00f6y\u00fcnde bir se\u00e7ime denk geldim ve bunun bir filmi olmal\u0131, dedim. \u00c7ok da \u00e7eki\u015fmeliydi; iki- \u00fc\u00e7 oy farkla bitmi\u015fti. Tabii se\u00e7imler be\u015f y\u0131lda bir\u00a0oldu\u011fu\u00a0i\u00e7in be\u015f sene bekledik\u201d diye konu\u015ftu.<\/p>\n
G\u00f6r\u00fcnt\u00fc y\u00f6netmeni Hakan Akg\u00fcn ise tarafs\u0131z kalmak i\u00e7in iki ekibe ayr\u0131ld\u0131klar\u0131n\u0131 ve her ekibin d\u00f6n\u00fc\u015f\u00fcml\u00fc olarak farkl\u0131 adaylar\u0131n \u00e7ekimini ger\u00e7ekle\u015ftirdi\u011fini belirtti.\u00a0<\/p>\n
Bug\u00fcn Alt\u0131n Portakal\u2019da yar\u0131\u015fma ve \u00f6zel g\u00f6sterim program\u0131ndaki k\u0131sa filmler de seyirciyle bulu\u015ftu. G\u00f6sterimin ard\u0131ndan s\u00f6yle\u015fiye kat\u0131lan ekiplerden \u201cKad\u0131n\u0131n Ad\u0131 Yok\u201d\u00a0filminin y\u00f6netmeni \u00c7a\u011fla Karsl\u0131o\u011flu, yap\u0131mc\u0131s\u0131 Zeynep Sutherland, yap\u0131m amiri El\u00e7in Pin\u00e7e, besteci Emre \u015eener, ba\u015frol oyuncusu Kayra Zabc\u0131\u00a0ve yap\u0131m asistan\u0131 Bet\u00fcl G\u00f6rg\u00fc, sorular\u0131 cevaplad\u0131.\u00a0<\/p>\n
Film; y\u00f6netmen \u00c7a\u011fla Karsl\u0131o\u011flu\u2019nun ergenli\u011finden beri ba\u015fucu kitab\u0131 olan, Duygu Asena\u2019n\u0131n ayn\u0131 adl\u0131 eserinden uyarlanm\u0131\u015f. Yap\u0131mc\u0131 Zeynep Sutherland, bu filmle Duygu Asena\u2019ya da bir selam g\u00f6ndermek istediklerini dile getirerek \u015f\u00f6yle dedi: \u201c\u00c7\u00fcnk\u00fc anlatmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 \u015feyler, \u015fu anda h\u00e2l\u00e2 ya\u015fad\u0131\u011f\u0131m\u0131z \u015feyler; h\u00e2l\u00e2 kad\u0131nlarla ilgili bir s\u00fcr\u00fc sorun ya\u015f\u0131yoruz T\u00fcrkiye’de\u201d<\/p>\n
Ulusal K\u0131sa Film Yar\u0131\u015fmas\u0131\u2019nda yer alan \u201cD\u00fcnya Senin Bildi\u011fin Gibi De\u011fil\u201d\u00a0filminin g\u00f6steriminin ard\u0131ndanise\u00a0y\u00f6netmen Samet Karaman, oyuncu- yap\u0131mc\u0131 Erdem Kaynarca\u00a0ve senarist Bilgesu Kasapo\u011flu Ak\u00e7ardak\u00a0seyirci kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131.\u00a0<\/p>\n
Aile ili\u015fkileri, m\u00fclkiyet ve g\u00fcven\u00a0temalar\u0131n\u0131\u00a0sorgulayan filmin senaristi Bilgesu Kasapo\u011flu Ak\u00e7ardak, \u015funlar\u0131 s\u00f6yledi:<\/p>\n
\u201cM\u00fclkiyet ve g\u00fcven duygusu benim \u00e7ok \u00f6nemsedi\u011fim iki konu hayatta. Bug\u00fcn de ya\u015fad\u0131\u011f\u0131m\u0131z d\u00fcnyan\u0131n en b\u00fcy\u00fck sorununun, g\u00fcven duymak ve g\u00fcvenilir insanlar yaratmakla ili\u015fkili oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. Aile temas\u0131 da g\u00fcn\u00fcm\u00fczde politik anlamda bir de\u011fer ta\u015f\u0131maya ba\u015flad\u0131 art\u0131k ama b\u00f6yle \u015feylerin \u00fcstten ve y\u00fczeysel bir \u015fekilde dayat\u0131lmas\u0131n\u0131n m\u00fcmk\u00fcn olmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. Bu, babaannemin ba\u015f\u0131na gelen ger\u00e7ek bir hik\u00e2ye. Tabii geli\u015ftirip g\u00fcn\u00fcm\u00fcze uyarlad\u0131k ama babaannem de bir g\u00fcn kap\u0131ya gelen bir dilenci para istedi\u011finde ‘Bozuk param yok\u2019 demi\u015f. Dilenci de ‘Siz verin, bozdurup getiririm\u2019 demi\u015f. Babaannem de vermi\u015f. Dilenci de ger\u00e7ekten bozdurup geri getirmi\u015f. Bence \u00e7ok k\u0131ymetli bir hik\u00e2ye; iki insan\u0131n birbirine g\u00fcvenebilmesi\u201d<\/p>\n
Sumru Yavrucuk\u2019tan mesaj var!<\/p>\n
Bir di\u011fer yar\u0131\u015fma filmi \u201cK\u0131sa Ak\u0131l\u201d da benzer bir konu i\u015fliyordu; bu kez o\u011flunun bor\u00e7lar\u0131n\u0131 kapatmak i\u00e7in m\u00fclk\u00fcn\u00fc satmak isteyen ancak bunun i\u00e7in akl\u00ee dengesinin yerinde oldu\u011funa dair rapor almaya \u00e7al\u0131\u015fan bir anne ile raporu verecek doktor aras\u0131ndaki ileti\u015fim \u00fczerinden benzer temalar ele al\u0131n\u0131yor. Filmin senarist- y\u00f6netmeni Soner Alan, ortak yap\u0131mc\u0131 Merve Balbay Alan, oyuncular \u00d6zg\u00fcr Emre Y\u0131ld\u0131r\u0131m\u00a0ve Melissa Dilber, g\u00f6sterimin ard\u0131ndan seyircilerin kar\u015f\u0131s\u0131ndayd\u0131.\u00a0<\/p>\n
Hik\u00e2yeyi; kendi tecr\u00fcbelerinden ve psikiyatr bir arkada\u015f\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 \u00f6rnekten hareketle kurdu\u011funu s\u00f6yleyen y\u00f6netmen Soner Alan, \u201cHastanelerde ya\u015fl\u0131l\u0131\u011f\u0131n; insanl\u0131\u011f\u0131n biraz daha ba\u015fka bir formu oldu\u011funu fark ettim; sanki hepimiz gibi de\u011filler. Bunun hakk\u0131nda bir film yapma hissi olu\u015ftu i\u00e7imde ama tam olarak do\u011fru hik\u00e2yeyi bulamam\u0131\u015ft\u0131m\u201d dedi.\u00a0<\/p>\n
Ba\u015far\u0131l\u0131 oyuncu \u00d6zg\u00fcr Emre Y\u0131ld\u0131r\u0131m ise ekiple \u00f6nceden tan\u0131\u015f\u0131kl\u0131\u011f\u0131 olmamas\u0131na ra\u011fmen kendisine g\u00f6nderilen dosyadan ve senaryodan \u00e7ok etkilendi\u011fini dile getirerek \u201cAnnemi kimin oynayaca\u011f\u0131n\u0131 sordu\u011fumda \u2018Sumru han\u0131mla g\u00f6r\u00fc\u015f\u00fcyoruz’ dediler. Yani iyi bir hik\u00e2yeyle ger\u00e7ekten do\u011fru oyunculara ula\u015fabiliyorsunuz; Sumru han\u0131m\u0131 getirip bir k\u0131sa filmde oynatmak hi\u00e7 kolay de\u011fil\u201d dedi ve Sumru Yavucuk\u2019un g\u00f6nderdi\u011fi mesaj\u0131 okudu:\u00a0<\/p>\n
\u201cSan\u0131yorum \u00f6nceden plan yaparak gene Tanr\u0131’y\u0131 g\u00fcld\u00fcrd\u00fcm. 35 y\u0131l sonra Antalya’n\u0131n en g\u00fczel mevsimi, festival zaman\u0131, filmimizin beyazperdeyle ilk bulu\u015fmas\u0131n\u0131 g\u00f6rmeyi, o sinema kokan salonlarda sohbet etmeyi hayal ediyordum. Fakat bir s\u00fcredir ge\u00e7irmekte oldu\u011fum rahats\u0131zl\u0131k nedeniyle evimde istirahat etmem uygun g\u00f6r\u00fcld\u00fc. Y\u00f6netmenime, oyuncu arkada\u015flar\u0131ma ba\u015far\u0131lar, sevgili seyircimize iyi seyirler diliyorum\u201d\u00a0<\/p>\n
\u201cHer oyuncu karl\u0131 filmde oynamak ister\u201d<\/p>\n
K\u0131\u015f\u0131n karlar alt\u0131nda kalaca\u011f\u0131 i\u00e7in g\u00fcz\u00fcn toplu mezar kazan fakat tahmin edilenden fazla \u00f6l\u00fcm ya\u015fan\u0131nca mezars\u0131z kalan k\u00f6yl\u00fclerin hik\u00e2yesini anlatan \u201cKarayaz\u0131\u201d, Ulusal K\u0131sa Film Yar\u0131\u015fmas\u0131 kapsam\u0131nda sinemaseverlerle bulu\u015fan filmlerdendi. G\u00f6sterimin ard\u0131ndan y\u00f6netmen Ahmet Duvar, yap\u0131mc\u0131lar \u0130clal Havva K\u00f6pr\u00fcc\u00fc Duvar, Abd\u00fclhamit G\u00fcler, yard\u0131mc\u0131 y\u00f6netmen Merve \u00d6zgez, oyuncular G\u00fcrkan Korkmaz\u00a0ve Mert Can Sevimli\u00a0sorular\u0131 cevapland\u0131rd\u0131.\u00a0<\/p>\n
Y\u00f6netmen Ahmet Duvar\u2019\u0131n, memleketi Erzurum\u2019dan a\u015fina oldu\u011fu hik\u00e2ye, oyuncu G\u00fcrkan Korkmaz\u2019\u0131n da \u2018arzu etti\u011fi\u2019 bir \u015feymi\u015f:\u00a0<\/p>\n
\u201cHer oyuncu karl\u0131 filmde oynamak ister, yani her oyuncunun kar arzusu vard\u0131r. Dolay\u0131s\u0131yla bizi oyuncu olarak fazlas\u0131yla tatmin etti, doyurdu. \u015eartlara gelince kar bile \u00fc\u015f\u00fcyordu, diyebilirim\u201d\u00a0<\/p>\n
Y\u00f6netmen Ahmet Duvar da Korkmaz\u2019\u0131n \u201cFazlas\u0131yla doyurdu\u201d ifadesine, \u015fu s\u00f6zleriyle a\u00e7\u0131kl\u0131k getirdi:\u00a0<\/p>\n
\u201cSetlerde yemek meselesi ger\u00e7ekten \u00e7ok \u00f6nemlidir.\u00a0K\u00f6y halk\u0131, \u00e7ok sa\u011f olsunlar, bizi \u00f6yle besledi, doyurdu ki t\u0131ka basa yemekten, o sofradan o sofraya gitmekten b\u00eezar olduk\u201d<\/p>\n
Gelece\u011fin sinemac\u0131lar\u0131 da Alt\u0131n Portakal\u2019dayd\u0131<\/p>\n
Festivalin, bu y\u0131l 3\u2019\u00fcnc\u00fc kez ger\u00e7ekle\u015ftirdi\u011fi Sinema Okullar\u0131 \u00d6\u011frenci Filmleri Yar\u0131\u015fmas\u0131\u2019n\u0131n ilk b\u00f6l\u00fcm\u00fcnde bug\u00fcn Mardin Artuklu \u00dcniversitesi\u2019nden \u201cAbbaralar\u0131n \u015eark\u0131s\u0131\u201d (\u00d6zlem Orhan), \u0130stanbul Geli\u015fim \u00dcniversitesi\u2019nden \u201cDostlar Sa\u011folsun\u201d (Orhan Kerem Kartal), Dokuz Eyl\u00fcl \u00dcniversitesi\u2019nden \u201cDrunk Steps\u201d (Amir Rezaei), \u0130zmir Ekonomi \u00dcniversitesi\u2019nden \u201c\u00d6zge\u201d (\u00d6mer Nakay), Ko\u00e7 \u00dcniversitesi\u2019nden \u201cSa\u00e7, Ka\u011f\u0131t, Makas\u201d (Yasemin \u00c7inal) ve Akdeniz \u00dcniversitesi\u2019nden \u201cUzunyayla\u201d (Deniz Kur\u015fun) filmleri seyirci kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131.\u00a0<\/p>\n
\u201cAbbaralar\u0131n \u015eark\u0131s\u0131\u201d filminin y\u00f6netmeni \u00d6zlem Orhan, filmde Mardin\u2019in geleneksel \u2018leyli geceleri\u2019ni anlatt\u0131\u011f\u0131n\u0131 ve sinemadan \u00f6nce sesle ilgili oldu\u011fu i\u00e7in bu iki ilgi alan\u0131n\u0131 bu \u015fekilde birle\u015ftirdi\u011fini s\u00f6yledi. \u201cDostlar Sa\u011folsun\u201dun y\u00f6netmeni Orhan Kerem Kartal\u00a0ise gasilhane sahnelerinde \u00e7ok zorland\u0131klar\u0131n\u0131 belirterek \u201cGasilhanede \u00e7ekim i\u00e7in izin ald\u0131k ama bir \u00f6l\u00fc gelirse \u00e7\u0131kmam\u0131z gerekti\u011fini s\u00f6ylediler. \u00c7\u00fcnk\u00fc \u00e7ekim var diye cenaze sahiplerini bekletemezdik. O g\u00fcn Karasu\u2019da kimse \u00f6lmesin, diye dua ettik ve \u00e7ok \u015f\u00fck\u00fcr o g\u00fcn kimse \u00f6lmedi\u201d diye konu\u015ftu. Yedi y\u0131ld\u0131r T\u00fcrkiye\u2019de ya\u015fayan, \u201cDrunk Steps\u201din y\u00f6netmeni, \u0130ranl\u0131 Amir Rezaei, \u00e7ocuklu\u011fundan beri yapt\u0131\u011f\u0131 break dans\u0131 T\u00fcrkiye\u2019de s\u00fcrd\u00fcrd\u00fc\u011f\u00fc ekiple kendi k\u00fclt\u00fcr\u00fcn\u00fc tan\u0131tmak istedi\u011fini dile getirdi. \u201c\u00d6zge\u201d ile deneysel bir film yapt\u0131\u011f\u0131n\u0131 belirten \u00a0\u00d6mer Nakay, filmin ad\u0131n\u0131n da buna i\u015faret etti\u011fini s\u00f6yledi. Yasemin \u00c7inal, \u201cSa\u00e7 Ka\u011f\u0131t Makas\u201dla; ya\u015fanm\u0131\u015f bir olaydan hareketle bir kad\u0131n\u0131n hik\u00e2yesini sa\u00e7 ve g\u00f6r\u00fcn\u00fcrl\u00fck \u00fczerinden kurdu\u011funu s\u00f6ylerken Deniz Kur\u015fun, \u201cUzunyayla\u201d ile birka\u00e7 y\u0131l \u00f6nce b\u00f6lgeye kurulan fabrikalar\u0131n etkisiyle susuz kalan Uzunyayla halk\u0131n\u0131n ya\u015fad\u0131klar\u0131n\u0131 anlatmak istediklerini belirtti.\u00a0<\/p>\n
\u00a0<\/p>\n
\u00a0<\/p>\n
Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":"
63. Uluslararas\u0131 Antalya Alt\u0131n Portakal Film Festivali perdesinde per\u015fembe g\u00fcn\u00fc; k\u0131sa filmler, belgeseller ve sinema okullar\u0131 \u00f6\u011frenci filmleri yans\u0131d\u0131.\u00a0 Bunlardan ilki; Ulusal Belgesel Yar\u0131\u015fmas\u0131\u2019nda yer alan, \u201cModernist: Usmanba\u015f\u201dt\u0131. G\u00f6sterimin ard\u0131ndan y\u00f6netmen Enver Serdar K\u00f6k\u00e7eo\u011flu, yap\u0131mc\u0131\u2026<\/p>\n","protected":false},"author":1,"featured_media":3013,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[307],"tags":[],"class_list":["post-3012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"yoast_head":"\n